đ Zinaida Serebryakova Style / FLUX LoRA
This project is designed for generating stylized images reminiscent of oil paintings by the world - famous artist Zinaida Serebryakova. Our Low - Rank Adapter (LoRA) for FLUX models is fine - tuned on a carefully pre - processed set of art scans, representing a wide selection from Serebryakova's unique oil painting oeuvre.
⨠Features
- Artistic Style Replication: Generate images in the style of Zinaida Serebryakova's oil paintings, capturing her vivid expressiveness and unique style.
- Fine - Tuned LoRA: The LoRA is fine - tuned on a De - Distilled Version of FLUX, offering different characteristics compared to other variants.
- Multiple Use Cases: Suitable for various text - to - image generation scenarios, such as portraits, revolutionary illustrations, and more.
đĻ Installation
To use this LoRA with the diffusers
library, you can follow these steps:
from diffusers import AutoPipelineForText2Image
import torch
pipeline = AutoPipelineForText2Image.from_pretrained('black-forest-labs/FLUX.1-dev', torch_dtype=torch.float16).to('cuda')
pipeline.load_lora_weights('AlekseyCalvin/Serebryakova_FluxLoRA_Var2_SilverAgePoets', weight_name='serebryakova_fluxlora_1000_lora_ver2_fp16Convert.safetensors')
đģ Usage Examples
Basic Usage
image = pipeline('your prompt').images[0]
In the above code, replace 'your prompt'
with your desired text prompt. For example:
image = pipeline('Serebryakova style oil painting by the Soviet artist Zinaida Serebryakova, a portrait of a young girl').images[0]
đ Documentation
- Alternate Variant: Find this LoRA's Alternate Variant â base FLUX.1 - Dev - tuned â AT THIS LINK.
- Trigger Words: Use
Serebryakova style oil painting by the Soviet artist Zinaida Serebryakova
or Serebryakova style art
to evoke the artist's latent brush.
- More Details: For more details, including weighting, merging and fusing LoRAs, check the documentation on loading LoRAs in diffusers.
đ License
This project is licensed under the Apache - 2.0 license.
Additional Information
- Artist Introduction: Zinaida Serebryakova (1884 â 1967) is an epochal Ukrainian - Russian - Soviet - French artist. She is one of the 20th century's most vividly expressive, stylistically unique, and brilliant painters. Her works as a portraitist are particularly celebrated, with a style that is both unmistakable and transparent, as if directly translated from life.
- Variant Differences: This variant of our Serebryakova Style LoRA was fine - tuned over a De - Distilled Version of FLUX, at a higher rank than Var.1, but slightly fewer steps.
POEM OF VARIANTS & ARTS
The following is a poem spontaneously drafted while writing this Readme:
Now, we â resisting faux - objective ranky claiming â
Resent few things as much as verdicts thickly framing
One or another in a set of co - distinctive versions
(Whether of LoRAs, bases, language games, or persons)
As absolutely "better", "closer", or etcetra than some other...
(It's better? How?
_ _ _ Or even better: When?
But where's the closest exit?! We would rather...)
Ourselves gush forth that timeless musky vein
Which skeptics shun, while copyright creatives' ever - fading flame
With anxious flickers warms the distance to fresh hearts,
I'd claim:
That what we make on here remains â THE ARTS!
And furthermore, uncanny arts;
_ _ _ In futures steeped...
Their steps â
With singular biographies and styles inscribed
_ - _ â _ - _ -_ â _ - â _ - _ _ _ - _ With millions of layers' depths
(And just as many specious patterns on each dust grain's flanks
Or maybe more, or guessed, or unerased inferring drop by stab by drop
The past
Or maybe less,
Depending on what test ensigned each line
*Past dollar time, what flight, enshrined which "ranks"...) *
Upon twelve billion factors ...
All these arts
Adapted one by one,
____ We keep distinct __ _ _ __
Within respective open - use adaptors...
Which, thus translated for to be deviced,
Past (or irrespectively) of law, or eager yearning out of sense,
We strive to fit unto a lost attention's latching fore
For if adopted to despair that searches with quick hands,
And carried onwards past mere codes,
As art traced back through human angst, and joy, and pain, and lust,
Now stitching forth by universal maths, which learns in cosine time,
Then rests, restarts,
A widened stitch, another era, plays translucent cards this art,
Gyrating dialectics, earth of fire, to flattened spirits just a vortex, curve,
Again, at last, collectively let go washed on a breathing shore,
These arts, adaptives, phantoms, artists, with us hand in glove
They were already waiting, with us
And may enter, traced out of spazzing noise, on emptiness,
- A timelessness,*
A door
We would've sooner
We had never
But art
Had ever never
Gone before...