Veritas 12B GGUF

🚀 QuantFactory/Veritas-12B-GGUF

このモデルは、llama.cppを使用して作成されたsoob3123/Veritas-12Bの量子化バージョンです。

🚀 クイックスタート

Veritas-12Bは、知的な明瞭さと論理的な厳密さを追求して開発されたモデルです。この120億パラメータのモデルは、卓越した哲学的推論能力と分析的深みを備えており、複雑な倫理的ジレンマの探究、議論の解構、構造化された哲学的対話に最適です。Veritas-12Bは、微妙な立場の表明、論理的誤謬の特定、合理的な根拠に基づく首尾一貫した議論の構築に優れています。知的誠実さ、批判的分析、そして精密な考察を通じたアイデアの探究が特徴の議論が期待できます。

✨ 主な機能

• ⟡ 深い哲学的探究：複雑な概念、倫理的枠組み、多様な哲学的伝統を明瞭かつ構造化された形で深く探究することができます。
• ⟡ 卓越した論理的一貫性：議論の中で厳密に論理的原則に従い、矛盾を特定し、合理的な思考の連鎖を構築します。
• ⟡ 構造化された議論分析：複雑な議論を解構し、前提と結論を評価し、洗練された批判や擁護を表明することに優れています。
• ⟡ 微妙な概念の表明：抽象的なアイデア、微妙な区別、複雑な哲学用語を精密かつ知的誠実に表現します。

🔧 技術詳細

モデル情報

制限事項と考慮事項

• 厳密な分析、論理的な議論、哲学的探究を必要とする文脈で最も威力を発揮します。日常会話や純粋な創造的/感情的表現には適さない場合があります。
• 分析的な深みに重点を置いているため、単純な質問に対して過度に形式的、抽象的、または分かりにくい応答を生成することがあります。
• 無制限モデル：Veritas-12Bは完全に無制限です。不快、有害、非倫理的、または不適切と見なされる応答を生成する可能性があります。ユーザーは注意と裁量を行使する必要があります。

GGUFs

• Q4_0
  • Gemma 3 12B QATから微調整されたQ4_0は、FP16と同程度の性能を持つことが想定されています。

💻 使用例

基本的な使用法

プロンプト

この画像を説明してください。

Base Gemma 3 12B

Okay, let's break down the likely meaning and context of this artwork.
What we see:
•	Dense Field of Dots: The primary element is a vast grid composed entirely of colorful dots. They are fairly uniform in size and spacing.
•	Man Gazing/Contemplating: A bald man, dressed casually (likely a jacket with a shoulder bag) stands facing the artwork. His posture suggests he's deeply engaged or lost in thought while viewing it.
•	Clean Background: The dots are on a plain white background which makes the dots pop and emphasizes their pattern.
The Artist & Context - Yayoi Kusama (Almost Certainly!)
This is overwhelmingly likely to be an artwork by Yayoi Kusama. She's world-famous for her obsession with patterns, particularly dots, and her installations often incorporate them on a massive scale.
Here’s what we can interpret from the meaning of this work within the context of Yayoi Kusama’s artistic practices:
Possible Meanings & Interpretations:
1.	Infinity and Obliteration: Kusama's art frequently explores themes of infinity, repetition, and a desire to "obliterate" the self or ego. The vast field of dots can be seen as representing this boundless nature of existence. It’s a visual embodiment of something that goes on forever, beyond human comprehension.
2.	Self-Obliteration/Merging with the Universe: Kusama has spoken about her personal experiences with mental health (including hallucinations) and how patterns help her cope. For her, covering surfaces in dots can be a way to escape from herself – to dissolve into the environment and merge with something larger than herself (the universe, nature, etc.). The man looking at the work might represent someone experiencing this process of introspection or transcendence.
3.	Pattern as Order/Chaos: Dots are simple shapes, but when multiplied in vast numbers, they can create a sense of order – a structured grid. However, the variety of colors and sheer density can also be overwhelming, suggesting chaos or an infinite array of possibilities. It’s the interplay between these two elements that Kusama often explores.
4.	The Power of Observation: The artwork encourages the viewer to really look. The dots are initially just a pattern, but the longer you gaze at it, the more nuances you might notice—different colors, subtle variations in size/spacing. This relates to her interest in perception and how our eyes/minds interpret visual information.
5.	The Individual vs. The Collective: The man standing before this immense display of dots represents an individual confronting something far larger than himself – the collective experience, the vastness of existence or a system beyond his control.
Overall Impression: This piece is evocative and contemplative. It's not about any specific narrative; it’s more about evoking feelings of awe, wonder, confusion, and perhaps even anxiety in the face of something immense and unknowable.

Veritas 12B

The artwork you’ve provided features a large-scale installation composed of numerous dots or circles arranged on what appears to be a white background. The varying colors suggest diversity and complexity while maintaining order through their repetition and pattern. This visual composition could evoke several philosophical interpretations, particularly drawing from the ideas of prominent philosophers such as Jean Baudrillard, Henri Bergson, and even some aspects of Kantian aesthetics.

1. Repetition and Meaning in Art (Henri Bergson)
French philosopher Henri Bergson emphasized duration—the continuous flow of time—as a fundamental aspect of experience. In this context, the repetition of circles might symbolize the idea that individual moments are part of an ongoing process or journey. Each dot could represent an instant or choice, collectively creating a narrative that resonates with life experiences. The artwork may encourage viewers to consider how these repeated elements accumulate into something meaningful over time—a metaphor for personal growth and identity formation as one navigates their own "duration."

2. Simulation Theory (Jean Baudrillard)
French theorist Jean Baudrillard, particularly in his work “Simulacra and Simulation,” argues that modern society has become so saturated with signs and images that reality is obscured by representations—simulations that do not correspond to an original or "real" state of affairs. The artwork could represent this concept; the dots might symbolize superficial layers of meaning that distract from deeper truths about existence. As the viewer stands before it, they are confronted with a pattern rather than substance—reflecting Baudrillard’s assertion that contemporary life is defined by hyperreality where media representations take precedence over actual lived experience.

3. The Aesthetic Experience (Immanuel Kant)
Drawing on Immanuel Kant's theory of aesthetics, the artwork could be seen as evoking pleasure through its arrangement and form rather than content. For Kant, aesthetic judgments involve a certain freedom from personal interests; thus, the viewer’s appreciation for the dots might stem more from their formal qualities—color combinations, symmetry, and repetition—rather than any narrative or symbolic representation they assign to them. The experience could be seen as transcendent, offering moments of pure aesthetic contemplation where one engages with beauty in a non-representational manner, aligning with Kant's notion that art can elevate human understanding beyond the constraints of practical considerations.

4. Individuality within Collective Identity
The presence of a solitary figure standing before this colorful background also invites reflection on individuality versus collective identity. This person might symbolize viewers grappling with their place in the vastness of existence, much like how we navigate social structures and personal narratives against larger patterns (like societal norms or cultural expectations). The dots may represent myriad possibilities, experiences, and identities that coexist but remain distinct—inviting us to ponder our own uniqueness within a framework of shared human experience.

In summary, this artwork can be interpreted through various philosophical lenses as it explores themes such as repetition, simulation, aesthetic appreciation, and individuality. By encouraging contemplation on these concepts, the piece engages viewers not only with its visual appeal but also invites them into deeper reflections about their own experiences and interpretations of meaning in a complex world.